Work of an Indian master is on exhibit PMA

By Marie Fowler
Independence Day is at hand, and next month, India, too, will celebrate throwing off British rule. Rhythms of India: The Art of Nandalal Bose, on view at the Philadelphia Museum of Art through the end of August, is a splendid retrospective of the work of the “Father of Modern Indian Art.”Bose (1882-1966) headed the art school at a university founded by Nobel laureate and poet Rabindranath Tagore, where he participated in Tagore’s mission to revive traditional Indian arts. British cultural standards then in vogue among the elite viewed European realist oil painting as superior to anything produced during India’s own rich
As a young man, Bose was enlisted to copy the fifth century Buddhist murals that had recently been uncovered in Ajanta. The modeling and tones of that art found its way into his work.

Bose was central to India’s drive to independence. He was the only artist enlisted by Mahatma Gandhi because both believed that India’s soul was revealed in her villages and among her common folk. Adamant about using local pigments and materials, Bose treats fisherman with the same dignity and thought as the greatest of the gods. A spirituality underlies his work – whether the subject matter is Hindu, Muslim, Buddhist or Christian.

During a Pan-Asian movement, Bose incorporated Japanese painting techniques into his oeuvre.He sketched and painted on everything from postcards to walls. Ethereal, otherworldly watercolors of Siva contrast with simple black-and-white linocuts for a children’s reader. A life-size ink-and-tempera on silk of the great hero Arjuna captivates with its sensuous line. Annapurna and the Slaying of the Buffalo Demon are incredibly intricate, rhythmic works. The Sun Temple at Konarak vibrates in an almost cubist style. Bamboo and lotuses are brushed with all the sensibility of the most accomplished Japanese aesthetic, complete with vermil-lion chop and a Bengali signature rendered vertically like Chinese calligraphy.

Regardless of technique, the sights and sounds and the life rhythms of nature in his beloved India are always at the heart of Bose’s art.

Supratik Bose, the artist’s grandson and Harvard urban planner, arrived for the Philadelphia opening, as Stella Kramrisch Curator of Indian and Himalayan Art Curator Darielle Mason pointed out, “with something under his arm.” In memory of the late Museum Director Anne d’Harnoncourt and her devotion to seeing these Indian national treasures shown in Philadelphia, Bose presented the museum with a sumi-e painting of a cuckoo in banana trees, done by his grandfather in 1959. It was Supratik Bose, with the help of scholars and Prime Minister Indira Gandhi (a former student of Bose herself), who had the foresight to place Bose’s work in the National Gallery of Modern Art in New Delhi.

The late, legendary PMA Curator Kramrisch, a native of Moravia, also taught at Tagore’s university. Kramrisch, who did so much to shape the museum’s collection into the premier status it enjoys today, spent the first three months of her stay living in Nandalal Bose’s house.

Upstairs, in the museum’s William Wood Gallery, Multiple Modernities, a selection of Indian art from 1905 until 2005, puts Bose’s influence further into context. The museum’s most recent acquisition, a lithograph of Sabari with Her Birds by Atul Dodiya (b. 1959), is directly influenced by Bose’s renderings of the same subject in the current exhibition.

About visionsart

Visions Art is a premium gallery for Modern and Contemporary Art. Established in 2001 in Mumbai, advising private and corporate collectors on predominantly Indian Contemporary Art. Since 2003, the gallery opened up its new space in heart of south Mumbai, India. The permanent gallery space is designed as a private art space where both changing and its permanent collections are shown. The gallery’s program draws upon a diverse range of disciplines and intellectual perspectives while maintaining a clear progressive thread. Supporting mid-career and historic figures, as well as launching emerging artists. The gallery represents works by artists who are considered to be at the forefront of Indian contemporary art and is constantly looking to establish a roster of the more progressive artists from India and abroad. is a news post blog providing a viewers updates on the latest news and events related to indian art from across the world

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4 Comments on “Work of an Indian master is on exhibit PMA”

  1. Who is the curator of Indian and Himalayan Art athe Philadelphia Museum of Art at Present!?….It’s a beautiful and very informative piece.

    Thank you

  2. Dear Himabindu
    The curator for Indian and Himalayan Art at the Philadelphia Museum of Art is Stella Kramrisch. Interestingly, this show could be made possible with the help of a few Indian Private Collectors, who supported the event.

  3. The Stella Kramrisch Curator of Indian and Himalayan Art at the PMA is Darielle Maon, who arrang for this exhibition to come to Philadelphia.

  4. The Stella Kramrisch Curator of Indian and Himalayan Art at the PMA is Darielle Maon, who arrang for this exhibition to come to Philadelphia.

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